BIBLIOGRAPHY

A list of resources that we have found useful in conducting our research and would recommend to anyone interested in learning more about female photographers from the 1850s - 1950s.

Eds. Ulla Fischer-Westhauser, Andrea Winklbauer, Vienna's Shooting Girls: Jüdische Fotografinnen aus Wien, (Metroverlag, 2012).

Berenice Abbott, Changing New York, (Dutton & Company, 1939).

Eds. Dawn Ades, Sarah Howgate, Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask, (Princeton University Press, 1988).

Eileen Agar, A Look at my Life, (Methuen Publishing Ltd., 1988).

Ed. Ann Wolfe, Anne Brigman: A Visionary in Modern Photography, (Rizzoli Electa, 2018).

Ethel M. Arnold, Platonics: A Study, (Osgood, McIlvaine & Co., 1984).

Elizabeth Crawford, Art and Suffrage: A Biographical Dictionary of Suffrage Artists, (Francis Boutle Pub., 2018).

Francis Dimond, Developing the Picture: Queen Alexandra and the Art of Photography, (Royal Collection Enterprises Ltd., 2006).

Monika Faber, Madame d'Ora: Vienna and Paris, 1907-1957, (Vassar College Art Gallery, 1987).

M. Kay Flavell, You Have Seen Their Faces: Gisèle Freund, Walter Benjamin and Margaret Bourke-White as Headhunters of the Thirties, (Berkeley, 1994).

Janine Freeston, Cliché in the Making: Sunsets in Early Colour Photography, (April 2015).

Eds. Clare Freestone, Karen Wright, Ida Kar: Bohemian Photographer, (National Portrait Gallery, 2011).

Eds. Howard Greenberg, Annette Kicken, Rudolf Kicken, Czech Vision: Avant-Garde Photography in Czechoslovakia, (Hatje Cantz, 2007).

Eds. Liz Heron, Val Williams, Illuminations: Women Writing on Photography from the 1850s to the Present, (Duke University Press Books, 1996).

Eds. Lisa Hostetler et al., Reflections in a Glass Eye: Works from the International Center of Photography Collection, (Bulfinch Press, 1999).

Giles Hudson, Sarah Angelina Acland: First Lady of Colour Photography, (University of Oxford, 2012).

Andrea Inselmann, A Second Look: Women Photographers of the Gernsheim Collection, (Deutsche Fototage, 1993).

Pete James, Sunlight and Shadow: The Photographs of Emma Barton 1872-1938, (Birmingham Libraries, 1995).

Eds. Ron Kurz, Hank O'Neal, Berenice Abbott: Paris Portraits 1925-1930, (Steidl | Commerce Graphics, 2016).

Eds. Carla Mitchell, John March, Another Eye: Women Refugee Photographers in Britain after 1933, (Four Corners, 2020).

Hank O'Neal, Berenice Abbott: Sixty Years of Photography, (Thames & Hudson, 1982).

Eds. Terence Pepper, Hugo Vickers, High Society: Photographs 1897-1914, (National Portrait Gallery, 1998).

Christian Peterson, After the Photo-Seccession: American Pictorial Photography 1910-1955, (W. W. Norton & Co., 1997).

Ulrich Pohlmann, Who's Afraid of Women Photographers? 1939-1919, (Musée de l'Orangerie, 2015).

Ursula Powys-Lybbe, The Eye of Intelligence, (William Kimber & Co. Ltd., 1983).

Naomi Rosenblum, A History of Women Photographers, (Abbeville Press, 1994).

Miranda Seymour, Ottoline Morrell: Life on the Grand Scale, (Faber and Faber, 2009).

Eds. Elizabeth Siegel, Patrizia di Bello, Marta Weiss, Playing with Pictures: The Art of Victorian Photocollage, (Art Institute of Chicago, 2009).

Jessica Sutcliffe, Face: Shape and Angle. Helen Muspratt Photographer, (Manchester University Press, 2016).

Eds. Petra Trnkoyá, Antonín Dufek, Grete Popper: Photographs from the Inter-War, (Moravska Gallery, 2005).

Julia van Haaften, Berenice Abbott: A Life in Photography, (W. W. Norton & Co., 2018).

Florence Vivienne, They Came to my Studio: Famous People of our Time, (Hall Publications, 1956).

Marta Weiss, Dressed Up and Pasted Down: Staged Photography in the Victorian Album, (Princeton, 2008). (Thesis).

Val Williams, Women Photographers: The Other Observers 1900 to the Present, (Virago, 1986).